) giovanni baglione, judith and the head of Holofernes (1608) Artemisia gentileschi, judith and Her maidservant. A whole book in the bible is devoted. Judith, because as a woman she embodies the power of the people of Israel to defeat the enemy, though superior in numbers, by means of cunning and courage. She seeks out Holofernes in his tent, makes him drunk, then beheads him. Temporarily out of stock. Order now and we ll deliver when available.
His Judith is an expression of an allegorical-moral contest in which Virtue overcomes evil. In contrast to the elegant and distant beauty of the vexed Judith, the ferocity of the scene is concentrated in the inhuman scream and the body spasm of the giant Holofernes. Caravaggio has managed to render, with exceptional efficacy, the most dreaded moment capsules in a man's life: the passage from life to death. The upturned eyes of Holofernes indicate that crown he is not alive any more, yet signs of life still persist in the screaming mouth, the contracting body and the hand that still grips at the bed. The original bare breasts of Judith, which suggest that she has just left the bed, were later covered by the semi-transparent blouse. The roughness of the details and the realistic precision with which the horrific decapitation is rendered (correct down to the tiniest details of anatomy and physiology) has led to the hypothesis that the painting was inspired by two highly publicized contemporary roman executions; that.
Judith Beheading Holofernes caravaggio ), wikipedia
A whole book in the bible wash is devoted to judith, because as a woman she embodies the power of the people of Israel to defeat the enemy, though superior in numbers, by means of cunning and courage. She seeks out the conquering General Holofernes in his tent, seduces him, makes him drunk, then beheads him. The sight of their commander's bloodstained head on the battlements of Bethulia puts the enemy to flight. In the painting, judith comes in with her maid from the right, against the direction of reading the picture. The general is lying naked on a white sheet. Paradoxically, his bed is distinguished by a magnificent red curtain, whose color crowns the act of murder as well as the heroine's triumph. This is the first time caravaggio chose such a highly dramatic subject, and with good reason.
Judith Beheading Holofernes, 1599 by caravaggio
His appearance is striking rather than handsome: he shows both that his face is unhealthy and that his right shoulder is not that of a bronzed Adonis, as convention required, but pale as in the case of any man who normally wears clothes. Boy bitten by a lizard (1594) Get a high-quality picture of boy bitten by a lizard for your computer or notebook. This picture is wrongly said by mancini not to be one of Caravaggio's earliest pictures, and since he also states that the picture was sold for less than Caravaggio expected, it must have been painted as a speculative venture. One of the most effeminate of his boy models, with a rose in his hair, starts back in pain as his right-hand middle finger, which he has put into a cluster of fruit, is bitten by a lizard. The rose behind the ear, the cherries, the third finger and the lizard probably have sexual significance - the boy becomes aware, with a shock, of the pains of physical love. What was novel was not the theme so much as its dramatic treatment, evident in the boy's foreshortened right shoulder, the contrasting gestures of his hands and the leftward sloping light. What lingers most in the memory is found in the foreground: the gleaming glass carafe containing a single overblown rose in water, together with its reflections. Two almost identical examples of this composition exist (the other in the longhini collection, Florence). Their equally high quality suggests that Caravaggio himself painted them both.
Get a high-quality picture of boy with a basket of Fruit for your computer or notebook. One of the sure signs of an early painting by caravaggio is the patent influence of northern Italian art. The boy with a fruit basket has analogies with a fruitseller by the lombard painter Vincenzo campi, painted about 1580, but Caravaggio is not content to follow the traditions on which he draws. Instead of the young women favoured by his predecessors, he has chosen a teenage boy; and he has brought his subject almost to the front of the picture plane, so that the boy seems to offer himself as well as the fruit to the spectator's. There is a sign of uncertainty in the awkward way that the boy's long thick neck rises out of his shoulder blades, yet there is compensation in the poetic device which places his weary eyes partially in the shade. Once again Caravaggio has used the diagonal 'cellar' light which was to become a hallmark of his style.
Against a near-blank ground, attention is focused on the right side of the boy's upper body, the classical drapery on his right arm and the marvellously realized fruit, displaying succulent peaches and bunches of grapes. Sick bacchus (1593) Get a high-quality picture of Sick bacchus for your computer or notebook. Among Caravaggio's early works, this painting, in which the pose of the arm may recall his debt to the kneeling shepherd in a fresco by peterzano, belongs to the small group which has always been seen as self-portraits. The livid colours of the subject's face, his teasing smile and the mock seriousness of his mythological dignity all reinforce the attempt to undermine the lofty pretensions of Renaissance artistic traditions. Here is no god, just a sickly young man who may be suffering from the after-effects of a hangover. There is no mistaking the artist's delight in the depiction of the fine peaches and black grapes on the slab, the white grapes in his hand and the vine leaves that crown his hair, but the artist is not content merely to demonstrate his superb.
Judit und Holofernes - die listige witwe (Archiv)
Boy peeling a expert fruit (1593 get a high-quality picture of, boy peeling a fruit for your computer or notebook. This is probably a copy from a lost original. There are several other copies (e.g. In Hampton court, in the sabin collection, london) but all of these copies are derived from an original by caravaggio. In none of them does the boy peel a pear, as sources indicate, but another fruit, perhaps a nectarine; the same fruit lies on the table before the boy. There is a remarkable resemblance between the facial types of these copies and those of the angel in the St Francis (Hartford) and the boy on the left in the musicians at the metropolitan Museum, new York. Boy with a basket of Fruit (1593).
Caravaggio malt Judith und Holofernes - stendhal-Syndrom
The calling of saint Matthew (1600). The conversion. The conversion on the way to damascus (Detail) (1600). The conversion on the way to damascus (1600). The Crucifixion of saint Peter (Detail) (1600). The Crucifixion of saint Peter (1600). The lute wunderbrow Player (1600 the martyrdom. The martyrdom.
The erslaafd musicians (1596 magdalene (1597 rest on Flight to Egypt (Detail) (1597). Rest on Flight to Egypt (1597). The fortune teller (1597 judith Beheading Holofernes (Detail) (1598 judith Beheading Holofernes (1598). Martha and Mary magdalene (1598. Catherine of Alexandria (1598 taking of Christ (1598). Medusa (1599 narcissus (1599 portrait of Maffeo barberini (1599 david (1600). John the baptist (Youth with Ram) (1600). The calling of saint Matthew (Detail) (1600).
Michelangelo merisi da caravaggio wikipedia
Art by caravaggio, caravaggio was an Italian painter whose revolutionary technique of tenebrism, or dramatic, selective illumination of form out of deep shadow, became a hallmark. Caravaggio huisstofmijt was the best exemplar of naturalistic painting in the early 17th century. Caravaggio was a "wild" and violent painter - screams of terror and images of horror assume a prominent place in many of Caravaggio's works. Boy peeling a fruit (1593 boy with a basket of Fruit (1593). Sick bacchus (1593 boy bitten by a lizard (1594). Francis in Ecstasy (Detail) (1595). Francis in Ecstasy (1595 still-Life with Flowers and Fruit (1595). Bacchus (1596 lute Player (1596 the cardsharps (1596 the fortune teller (1596).